Category Archives: Ode

185. Ode to A Tandem Bicycle

DAY ONE-HUNDRED AND EIGHTY-FIVE

This is Karen Poleshuck and her dad. This is the freakin' awesomest picture. Is this 1984? Or Williamsburgh 2010?

Today, Karen Poleshuck, the co-writer of this song, has written about this song (see below!). I met Karen at SUNY Purchase a few years ago, and since then I’ve seen her go through roommates, occupations, hamsters, and finally settling on a really cute dog.

Karen is the Executive Director of Academic Music Seminars, and they are holding several Saturday brunch-time benefit concerts in July.  I will be performing on July 31st in support of this great non-profit.  About AMS:

Founded in 2008 by musician and educator Karen Poleshuck, we are passionately committed to the belief that music can be a transformative power in children’s lives, both in improving their education and test scores, and in helping them gain a greater appreciation of artistry and creative expression.  It is our goal to offer expanded educational opportunities that does both of these things to schools throughout Northern Manhattan.

At the show on July 31st, I will be playing a bunch of my songs, but also playing this song that Karen and I wrote.  There will be kids there and homemade maracas (that the kids will make themselves), so Karen and I wanted to write a song that would encompass an important educational tool: literacy.  We decided to compose an ode.  (Karen will talk a little bit more about why we chose a tandem bicycle).

Here we go!
But you know what this song needs?   A little celloness… oh, and a full brass band, but you get the idea…

Ode to a Tandem Bicycle



I ride my bike around the town
I ride my bike without a frown
I ride my bike all day you see
Except the days when you’re with me
We ride our
Tandem bike!
Just the two of us
Tandem bike!
We don’t take the bus
It’s a treat, you’ll see
Cause when we ride our bike
It’s just you and me
The wind in our face
We leave the world behind
I’ll pedal fast
You pedal fast
We pedal fast
With one bike for two
One direction we must choose
I’ll pedal fast
You pedal fast
We pedal fast
I’ll pedal fast
You pedal fast
We pedal fast
I’ll pedal fast
You pedal fast
We pedal fast on our…
Tandem bike!
Just the two of us
Tandem bike!
We don’t take the bus
It’s a treat, you’ll see
Cause when we ride our bike
It’s just you and me

A Note from Karen

It looks like I’m about 4 or 5 in this picture, so it was probably closer to 1987-88. Although, I suppose it’s cool that this is your 184th song, so feel free to leave it up as is :)

I know that I’m not alone when I say that I fell in love with Emily Hope Price the very moment I first heard her play. I’m honored to share today’s entry with her and I hope that you continue to follow her on this incredible journey she’s taking. Emily and I became close friends right around the time she started doing her first open mic shows in NYC and I was first conceptualizing Academic Music Seminars. We both have come very far with these endeavors in the last few years and I know that for me at least, it is in large part due to her incredible friendship and endless support. When she first told me of her plans for this blog I was thrilled about the possible collaboration opportunities to come because of the seamless connections to be made with Academic Music Seminars. To me, my favorite part of this blog is not just hearing her fantastic music (I get to see her live all the time), it’s the way she gives us a peek into her process. Why did she choose a particular word or how did she come up with a concept for a song? Everything is laid out for you to read.

Today we discussed many options for a song. The main goal was to have it coincide with the AMS curriculum for somewhat of a shameless plug. The mission of Academic Music Seminars is to provide a high quality interdisciplinary music education program that builds literacy, math, science and history skills through the exploration of art, movement and music to the underserved public elementary school students of Northern Manhattan. One idea we played with was to talk about recycling and how it’s a useful tool in music as well. How many awesome covers have we heard Emily do over the year? It’s important to me that the connections are organic, and we just weren’t in the mood for it, so we moved to literacy pretty quickly. This is a very compressed version of a few lessons we would do in a classroom in which we would talk about what an Ode is, play our version, and have the kids write their own as well.

What is an Ode? According to Wikipedia, an ode is typically a lyrical verse written in praise of, or dedicated to someone or something which captures the poet’s interest or serves as an inspiration for the ode.

One of the most famous Odes is Ode to Joy, made famous by Ludwig van Beethoven. The melody is taught to beginners on almost every instrument, but it is rare that they are told what the melody is about. Ode To Joy (German: An die Freude) is an ode written in 1785 by the German poet, playwright and historian Friedrich Schiller, celebrating the ideal of unity and brotherhood of all mankind. (Translation of the full poem here: http://www.raptusassociation.org/ode1785.html). It is best known for its musical setting by Ludwig van Beethoven in the final movement of his Ninth Symphony (completed in 1824), a choral symphony for orchestra, four solo voices, and choir. The Beethoven setting is the official anthem of the European Union.

(Great clip that came up when I searched for Ode to Joy) http://www.youtube.com/watch?v=xpcUxwpOQ_A

What do you think is worthy of an ode? We played with a few ideas, but we both felt that we needed to be equally in love with it if we were to write the song together. Our cellos were the first obvious choice, but I think we thought it would be a little too easy (and cheesy?). We both love our dogs, and swimming. We thought money was worthy of an ode, but didn’t want to get depressed with our lack of it. I don’t remember who first came up with biking, but it was the first thing that came up that we both love and were excited to write a song about. The bike didn’t become a tandem until after Emily sang through the whole intro, and I told her it was how I first learned how to ride a bike, as you can see in the picture above. We talked about why we love biking. Emily loves the speed, I love the feel of the wind in my face, we both love the escape of it. We really wanted to work into the song something silly about how we had to agree on where to go. I’m really happy with what we came up with, and I’m excited to play with the instrumentation for the upcoming concert.

Speaking of this upcoming concert, if you love Emily Hope Price, her show on July 31st at 11am at the Jumel Mansion is going to be a fantastic place to see her play outside of a bar setting. Like she said there will be activities for kids, but it will also be a fantastic time for adults as well. She’ll be playing some songs that we know well and a few songs from her 365 Project.  Bring a picnic blanket, food, drinks, dogs are welcome on leashes too! Check out our event page to see more details and find out about the two previous concerts at the same venue. Thanks for listening!

93. Ode To Delta No. 2 (or Delta, Delta, Delta)

DAY NINETY-THREE

This has been quite a day.  I will just paraphrase for you:

  • Woke up at 6:30 am.
  • Ran to airport to arrive there at 7:30
  • Rushed to our plane at 8:30
  • Gate checked my cello
  • Sat on the plane for an hour to de-ice
  • Watched It’s Complicated with Alec Baldwin and Meryl Streep (not at their best, mind you. I regret I had earphones on me.)
  • Also watched 2 episodes of Jason Schwartzman’s HBO series Bored to Death.  (Was glad I had earphones on me.  It’s silly stupid, and I liked it.)
  • Landed at 3:30 and sat on the plane for an hour in a line of other planes.
  • Learned that, without surprise, they took my cello to baggage claim despite having a pink “gate check” tag on it.  The whole point of gate checking my cello and expecting it back at the gate upon arrival is to save me and them a lot of hassle, but they get all ornery about strollers vs. instruments and often take it to baggage claim anyway.
  • Found my cello disappeared somewhere between the plane and baggage claim and spent three hours in Delta’s lost luggage department seconds away from tears or a heart attack as they continued to tell me they had lost it and didn’t know where, not only my cello, but all of the oversized baggage had been taken.

I also learned, while waiting, that they had put the oversized baggage on the carousel and it had jammed somehow.  The jam had caused the delay.  Now, imagine Emily Hope imagining her cello the cause of the jam, and it being crushed and pulverized, despite her cello encased in blankets, clothes, and Karen Poleshuck’s awesomely strong cello case.  Panic increases.

Three hours later they wheel my cello out, in fine condition, apologizing and telling me they will give me more mileage for my trouble.  I’d rather just be guaranteed a free cello seat every single time I fly, but our relationship hasn’t reached that stage of intimacy, obviously.

Sigh.

I attempted to post a song this morning but with all the running about, I find that I had to wait until now to post the song for the day.  I simply had to forego my original plan and write an Ode to Delta, since, on my trip to and from Utah, they were so wonderful as to lose my cello TWICE.

There is an omnichord in this song.

There are three Emily vocals in this song.

Jonathan is singing very quietly in the kitchen while he makes us our first meal of the day: at 7:14 pm.

Ode To Delta No. 2 (or Delta, Delta, Delta)


Delta delta delta
Can I help you help you help you
Once is twice as nice to lose
The things that mean nothing to me
But twice is twice as nice
And I’m so glad to be the reaper
Won the card and played the game and
Now I’m three times as thankful so
Delta delta delta
Can I help you help you help you
Delta delta delta
Can I help you help you help you
Love, I love you
Love, I love you
Ease, it’s easy
It’s easy to love you sooo
Delta delta delta
Can I help you help you help you
Please…
(whisper: Delta, I love you)

86. The “Delta, You’re Awesome” Song

DAY EIGHTY-SIX

I am in Salt Lake City for a few shows.  I arrived last night at 11 pm.  I waited and waited and waited for my cello to come into “oversized baggage”.  Nothing.  Come to find out my cello is in New York.  I spoke with an incredibly kind woman at the Salt Lake City airport who was so helpful.  I am leaving for the airport right now to see if it came in on another flight today.  Positive thinking…

Now, I have usually purchased seats for my cello, but I started flying more and more and just can’t afford it.  The only way of guaranteeing a sense of peace about flying with your cello is to buy a seat.  Even then they hassle you in security.  It’s really a no win in the end… people will give you problems no matter what you do.

Writing: It started as a haiku, but it obviously isn’t (5-7-5), but whatever it takes to get you there, you know?  Jonathan offers back-up vocals, and the rest is improvisation!  Yay!  Now, it’s just a little jingle.  Delta- I’ll sell it to you for a price.

The “Delta, You’re Awesome” Song


I love you Delta
You left my cello in New York
You are great Delta

45. Sea Creatures in Perilous Situations (Christopher Faroe)

DAY FORTY-FIVE.

(Announcing the Debut of Synthetic Strings! Dreams DO come true! Yessss!)

Here’s the story:

I played a show at The Knitting Factory in Brooklyn a few weeks ago.  I met this really cool, tall red-headed guy named Christopher Faroe (sweet name, right?!).  After I played he walked up to me and handed me a note with my name on it (it kind of awesomely reminded me of passing notes at lunch).  On this note read, and I wish my scanner was working so I could just show you how cool this note is:

Dear Songwriting Person,
If (when) you become (more) desperate for song topics, perhaps the following will prove helpful?

-the possibility of airships in the Byzantine empire
-the silk road
-ancient sawdust
-contemporary sawdust
-Lord Byron, himself!
-Sea creatures in precarious situations (especially seahorses, starfish, Jellyfish & Narwalls)
-falconry (a noble, ancient art)
-cumulonimbus
-outer reaches of outer space
-moi

Good luck, if you run out/need more, email me – Christopher

This was so cool.  I wish more people were this forthcoming with notes at shows about “Falconry, a noble and ancient art” (probably my favorite one)… I mean, have you ever done this?  I certainly haven’t, and I really appreciated it.  The other day in the car, with my new uke and a road trip a head of me, I started singing, “Sea creatures in perilous situations”.  I didn’t have the list with me so I thought it was “perilous” not “precarious”, and I recorded the vocals before I got home to check the list. But I think it works well as it afforded me the opportunity to use SYNTHETIC STRINGS FROM GARAGE BAND…. YESSSSS!  As a string player, nothing beats synth strings.  NOTHING.  So, curl up with your favorite used copy of Moby Dick and some popcorn shrimp from Popeye’s and push play.  You deserve it.

Writing: Jonathan, my lovely companion, was very helpful with the writing on this song.  He suggested I relate the perilous situation to something random… like love?!  So, I blame that “random” perilous situation choice on him.  But, I would struggle with a line and he’d shout out something super weird from the couch like “mollusks in public fornication”.  Also, did you know that extroversion means the act, state, or habit of being predominantly concerned with and obtaining gratification from what is outside the self. This will come in handy later I think.  I also wanted to use at least one scientific animal name in this song, so I used the name for sting rays: Dasyatidae.

There is another aspect of this song.  I love the sea.  I love the sea.  I wanted to be a marine biologist for a really long time.  When I was little, my family would road trip to the Oregon coast every summer for a week or so.  We’d go see the glass blowers, fly kites, and stand in the rain.  It would rain and rain.  I love the rain.  One cloudy day we were on the beach.  I was flying a kite and running backwards.  Not paying attention, I ran backwards right into a huge boulder covered with BARNACLES and slid down it.  Wearing shorts, this caused, as you can imagine, some pretty nasty cuts down the back of my legs.  Ever since then I’ve had this totally weird, weird, weird fear of little things clumped together.  This is a real fear!  It has been only in the past few years that I have run into other people with this same fear, which makes me feel a little less strange.  The thing about the fear for me is that it doesn’t apply to every single little thing clumped together like raisins, peas or stuff like that… but stuff like: spores on the back of fern leaves, clumps of warts (ahh!!!), ant piles, ahhh… I can’t list them anymore… but you can google this: trypophobia. I attempted to google it for you and link it but couldn’t deal with it.  Needless to say, barnacles are at the height of intensity in this song!  Funny enough, though they totally freak me out, if I see barnacles in person, they are so fascinating, and I can’t look away and end up grossed out but staring at them.  I tried to get you a picture but, again, wussed out… so, there you go.

Recording: I think sound effects are pretty awesome, though I wish I had actual field recordings to use, garageband will have to suffice.  Everything was tracked separately.  I recorded everything from Sam Stolpe’s apartment yesterday morning (see song no. 43 The Wreck of the Hesperus), got home, felt totally dizzy from sleep deprivation and totally knocked out, so this morning cleaned everything up and have added, synth strings, organ and THUNDER!  And TOTALLY messed up and said “Behoveth” instead of “Behemoth” on the lower voice… sigh… oh well.  You do a few songs about the bible and it infiltrates everything else…

May your Sea Creatures remain safe this morning…

EHP

Sea Creatures in Perilous Situations



Sea creatures in perilous situations
Sea creatures in perilous situations
Like love is
A lot like love is
Sea creatures in perilous situations
Sweaty Sea snakes in compromising positions
Giant mollusks in public fornication
Like love is
A lot like love is
Pretty mermaids and their topless salutations
Tiny Lobsters in scandalous conversations
Cagey Clownfish with insidious affectations
Like love is
A lot like love is
Narwhals delighting in extroversion
Dasyatidae!  Dasyatidae!
Barnacles!
Monstrous Barnacles!
Behemoth barnacles!
Sea creatures in perilous situations

21. Ode: Indian Food (Or “Spiciness”)

DAY TWENTY-ONE

Double Digits into the twenties!  Yessss!

Today is a very, very special posting.  (Well, they’re all special for me, but…)  You will notice two tracks embedded here to which you may peruse.

Track One: This doesn’t count for song of the day because it was recorded in about 2006 when I was living in Salt Lake City.  But, it is an important example of today’s installment.

Singing with me here is Julia Mecham.  She has been another very influential part of my growth and learning as a song writer right from the very beginning.  I met her when she was 16 years old and playing at open mics.  I was struck by the maturity, thoughtfulness and honesty in her songwriting, and her guitar playing was phenomenal.  She is now grown up, studying guitar, writing and performing as much as she can.  We became fast friends, and hanging out one evening, we sat down and just played around with garageband.  I was inexperienced with the program (as you can tell by the excessive use of reverb!), but we would often get together like this to record or improvise.  This night she just came up with a riff and the ode to butter was born.  I am inserting it here because that’s what today’s song exercise is all about: How to Just Forget About Stuff and Write a Totally Bitchin’ Ode.  Please enjoy.  Julia has been so kind as to let me post this for you to hear.  All the lyrics are totally improvised, and you can hear her calling out, “Chorus” when she wanted to go there or signaling me when it was time for a verse.  I think the thing I love about this recording is how totally free and unrestricted we sound.  I haven’t listened to this in such a long time, and I played it this morning when I woke up, planning to use it today, and felt suddenly jealous of myself: I don’t hear nearly the amount of abandon in my voice now as I did then.  I’m chalking this up as a personal wake-up call to lighten up.  What’s happened to me?  (**PLEASE NOTE the excessive, and totally awesome, use of “Woo’s” and “Yeah’s” in this song.  This is a perfect example of the afore-mentioned requirements for an awesome song.  Yessss!)

Ode: Butter

instrumentation: guitar, Julia Mecham (with EHP, too.)


Track Two: This is the song of the day.  I asked Jocelyn if she would help me “write an ode to an inanimate object” as today’s song.  She jumped at the chance.  Pearl and the Beard has a Mercury Lounge show tonight (last night, Jan 23), so we have been here at the venue since 4:00 for sound check, which generally involves a lot of waiting around.  So, we got Indian food for dinner, and sat in a park across the street.  I said to Jocelyn as we ate, “What inanimate object should we write about?”  She said, after pondering for a moment, “What about spiciness?  And I’m feeling it should be a Gregorian chant.”  I know, spiciness is not an inanimate object, but the Indian food we were eating is, and we listed several inanimate objects in the song: all of which were contained in our dinner.

I believe the point of this is to realize that I am surrounded by people who help me let go of inhibitions and bring in positive thoughts of goodness and honesty, and, most of all, good times.  I mean, when would I ever consider writing a song in the style of a Gregorian chant?  Improvised or not.

Joc and Julia: I love you. Thank you for being you.

Enjoy.  (Felt a video of us in the park singing about spiciness in the style of a Gregorian chant was totally appropriate…)

Ode: Indian Food (Or “Spiciness”)

A capella: Jocelyn Mackenzie and Emily Hope Price


On Gregorian Chant (also Wikipedia)

*On a personal note, if you happen to have taught me in music theory a million years ago: I know you taught plainchant to me as a requirement in music theory.  I also know this isn’t technically a “Gregorian Chant” because plain-songs in general were sung in unison.  (I also know that I don’t remember anything from early music theory.)  Obviously we didn’t sit down and go through all the modes and find the choicest one.  However, regardless of our musical and historical accuracy, during the performance of this song, I was actually thinking about the movement of my intervals- and yes, we chose parallel fifths on purpose.